# Artist Moon rethinks futurity and auto-reflects art tactical goals unfolding the future that the human cannot think but should belong to. Her ‘cosmogenic ecosophy’ aims to abstain from alienated capitalist reality and to recreate extra social condition by finding new visual combinations (deliberately not much appealing ones) and perceptual gateways/obstructions. Thus, her art pieces act as some sort of stimuli ie. reminders of what we where and where we are to go. Known physicality subtracted, imaginary potential extended. And we feel estranged. This strategy is quite present in her performative media work Tab_letter synthesizing new media, music and language systems or digitized spatial drawing Imprints outside the rules tackling the posthuman condition.
25 years after the introduction of the WWW, some state that the Information Age is coming to an end. It is followed by what we could call Experience Age. So, where are we now, confronted with the changing context of our interactions and global neoliberal stratospheres? The attitude of Martina Zelenika and her chameleonic art projects strive to shape different art devices/environments for somewhat different interactions. Outside of given informational accumulations and comfort boxes. A closer overview of the titling of Martina Zelenika’s art projects implies the heterogeneous, transmedia and interdisciplinary character of her work, as well as the possible postinternet interpretational frame. Here are some mentions: Tab_letter, Projections beyond, In time and space, Virtual__station, etc. Hence, this multi-visual artist, based in Zagreb, and formed in graphics and new media in Zagreb and Ljubljana, with each and every recent work, engages innovative technological possibilities and digital art tools in order to translate and resist the complacency of the present society and try to overcome our general human condition.
Ivana Mestrov, art historian and curator